Collaborate
and conquer.

See how brands, agencies, and production teams of all sizes worldwide use Frame.io to accelerate their workflow and empower collaboration.

Woman being interview behind the scenes on set.

Close up of actor Ralph Ineson portraying The Green Knight.

Man looking at camera lens on a workbench with teal lighting.

Close up of an Old Fast Glass lens on a workbench.

Person filming man unloading an SUV out of the back. They are in a grassy plain with mountains in the background.

Man working on a Mac Book, seated in front of a graffitied wall. He wears a wide brimmed fedora hat.

Creative office space at Malka. Work stations and people to the left, reception desk to the right.

A scene from the movie The Green Knight shows actor Dev Patel, as Sir Gawain, holding up a broad axe and shouting.

A blonde woman sits behind rain-streaked glass with a solemn gaze.

Man wearing baseball cap and glasses talking and gesticulating

Scene from the movie Devotion.

A man sits to the left and a woman to the right on a sofa. The woman is reading to the man from a book.

Close up of an industrial sewing machine stitching leather detail.

A person wearing a helmet with full face shield appears to be levitating eight inches off the ground in a brightly lit parking garage.

A dark green Ford Bronco splashes through a mud puddle on a dirt road in the forest.

Woman being interview behind the scenes on set.

Close up of actor Ralph Ineson portraying The Green Knight.

Man looking at camera lens on a workbench with teal lighting.

Close up of an Old Fast Glass lens on a workbench.

Person filming man unloading an SUV out of the back. They are in a grassy plain with mountains in the background.

Man working on a Mac Book, seated in front of a graffitied wall. He wears a wide brimmed fedora hat.

Creative office space at Malka. Work stations and people to the left, reception desk to the right.

A scene from the movie The Green Knight shows actor Dev Patel, as Sir Gawain, holding up a broad axe and shouting.

A blonde woman sits behind rain-streaked glass with a solemn gaze.

Man wearing baseball cap and glasses talking and gesticulating

Scene from the movie Devotion.

A man sits to the left and a woman to the right on a sofa. The woman is reading to the man from a book.

Results you can see. And measure.

Working in Frame.io delivers significant business value including post-production that’s 26 percent faster according to the 2020 IDC Business Value Report.

870%return on investment after 3 years

100%return on investment after 3 months

26%more productivity in post-production

Case studies

Better workflow.
No matter what the work is.

Faster post-production. Shorter review cycles. Better collaboration. Content creators of all stripes use Frame.io to take their work to the next level.

VICE made reviews 70 percent faster.

AI transcription tools connected to the Frame.io API drove massive gains in productivity at VICE Media.

See Their Story

Branded Content

A clear view through the cloud at Sundance.

The Sundance Film Festival used C2C to make this the most inclusive and accessible Festival ever.

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Film and Production

JD Dillard flew through the dailies.

The “Devotion” director and his Oscar-winning DP took to the Adobe Creative Cloud and Frame.io to collaborate from afar on this inspired aviation epic.

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Frame.io helped V/SPEED show how up close and personal they got with a tornado.

See Their Story

Sandwich uses Frame.io C2C as the special sauce in their end-to-end workflow.

See Their Story

Elastique. used Frame.io to securely share BMW’s new designs from pre-vis to final.

See Their Story

Full-service agency MALKA uses Frame.io for storytelling at scale from coast to coast.

See Their Story

Team Bronco used Frame.io to navigate an ambitious remote-work production schedule.

See Their Story

Dream Lens used Frame.io with Premiere Pro to move mountains for The North Face.

See Their Story

Landscape of a rugged, high plains terrain with few green trees and a winding river.

“The impact Frame.io has on our workflow is in time. Our team is used to seeing reviews in a unified way we didn’t have even a few years ago.”

Arlo Rosner Senior Producer, YETI

David Lowery, director of the movie The Green Knight, working on a laptop showing the Premiere Pro integration user interface.

“Whether I’m in New York or London or Ireland, the way we’ve set up Adobe Premiere to function between us, we’re able to deal with the same footage in real time, and Frame.io was a big part of that.”

David Lowery Director, The Green Knight

Man sitting in a hangar with a dark gray jet behind him. He is being interviewed.

“High-quality proxies, fast upload speeds, and talking through timecode-specific moments remotely, gave us a virtual proximity to each other to get the job done.”

Greg Wilson Co-founder and Cinematographer, V/SPEED

Tyler Hymanson, a post production supervisor, stand in a hallway.

“Our creatives can leave full essays in the app or create annotations for VFX artists. Having that conversation in Frame.io has cut down revisions by 20 or 30 percent.”

Tyler Hymanson Post Supervisor, Sandwich

Mark LaFleur, founder Old Fast Glass

“Frame.io C2C has created a workflow our clients can’t live without. When they try it, they realize that it’s that thing you never knew you needed until you have it.”

Matt Plaxco Cinematographer, Old Fast Glass

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